MY TEMPORARY SON,
An orphan’s
journey
Reviews & Responses
A story like this – with so much of the writer
in it – could easily slip into the mawkish and
the maudlin but Tim maintains dignity in his prose
while infusing it with a certain enchantment that
comes from his clear and beautiful language. THE
HINDU.
And two writers map different landscapes of loss
and love with poignant and marvelously written memoirs:
Joan Didion (Knopf) in The Year of Magical Thinking
and Timeri Murari with his tale of losing an adopted
child to another family in My Temporary Son (Penguin
India). WORLD BOOKS
Timeri Murari tells a sensitive, moving story in
prose that is spare and devoid of gimmick- and that
is the book’s triumph. The emotion is powerful
for being understated, the confusion of a 60-year-old
faced with feelings he never thought he had is touching
for being genuine. Lesser writers might have made
a hash of this experience, the temptation to overwrite
is strong. Murari’s style is at once concise
and poignant. SAHARA TIMES
The book delights and saddens in turn. Murari and
his wife provide a firm presence as the baby Bhima
suffers and triumphs; there is pain in his surgery,
his recovery, his first smile. His joy in discovering
rain. This is a tremendously powerful book, and tragic,
too, in its way. INDIAN
EXPRESS
Believe me, I don’t feel ashamed to accept
that I cried when I was reading the last paragraphs
of the chapter ‘The Final Goodbye’ in
Timeri N Murari’s non fiction ‘My Temporary
Son’. The fact is that it is long since I was
absolutely moved by a book. BOLOJI.COM
Truly a life-changing experience.
Experiences are so often described as “life
changing” that the adjective seems clichéd,
almost value less. But Timeri N. Murari’s book
My Temporary Son
is about a true life-changing experience – the
story of a child bringing magic into two lives and
teaching lessons of resilience and love.
“It is a warm story of a little boy, an orphan with
a fairly serious health problem, who takes over the
lives of an elderly, childless couple who believe
they have seen, done and experienced pretty much everything.
“Tim and Maureen Murari are well settled into their
respective routines; he a writer of fixed, rather
reclusive habits, and she working with various charitable
institutions and voluntary organisations. On a trip
to an orphanage, Maureen chances upon one-year-old
Bhima, a baby with impossibly large, expressive eyes,
lying in an iron cot banging his head against the
bars to distract himself from the pain in the raw,
red mass of flesh on his lower body. And she decides,
as she has with other destitute children before, to
raise the funds for his operation and help place him
with adoptive parents abroad.
“For the first few months, Tim is just an observer
of sorts, listening and providing emotional support
to Maureen as she gets into endless rounds of consultations
and tests with doctors and raises funds to correct
Bhima’s vesical exstrophy, a condition in which
the bladder is outside the body.
“Maureen brings Bhima home “for a few days”
after surgery; to recuperate till he is strong enough
to resist the infections he could catch in the orphanage.
The few days turn into 11 months as the Murari’s
wait for Bhima’s adoptive parents from Europe
to plough through the paperwork demanded by the Indian
adoption system.
“And during that time, Bhima transforms Tim’s
life, drawing him out, teaching him to be a father.
Tim and Maureen do as much for Bhima – sitting
through the night to comfort him when he experiences
night terrors, being attuned to his every mood, being
there for him – as he does for them.
“Though his early development was delayed because
of his medical condition, Bhima proves to be an exceptionally
intelligent and resilient child, capturing Tim’s
and Maureen’s heart with his simple faith, intense
curiosity, mischievous ways and tin but tremendous
spirit for survival.
“Tim also uses the book to provide insights into
Indian society; he brings up ideas of karma and destiny,
and the traditions, superstitions and beliefs that
are so much part of Indian life.
“Child labour, exploitation and discrimination, bureaucracy,
the education system, the almost-hopelessly convoluted
adoption process…simple statements, made almost
in passing, reveal social attitudes to all these and
more.
“Finally, the mammoth Indian bureaucracy begins to
move and Tim and Maureen find themselves facing the
idea of life without Bhima. There is heartbreak but
they have to confront the reality of their age, Bhima’s
future and what is best for him.
“A story like this – with so much of the writer
in it – could easily slip into the mawkish and
the maudlin but Tim maintains dignity in his prose
while infusing it with a certain enchantment that
comes from his clear and beautiful language.
“It is also without
explicitly being so, a story of many in India and
around the world who find it in themselves to open
up their lives and hearts to abandoned children and
are willing to move systems across continents in their
willingness to love. THE
HINDU.
Timeri Murari tells a sensitive, moving story in
prose that is spare and devoid of gimmick- and that
is the book’s triumph. The emotion is powerful
for being understated, the confusion of a 60-year-old
faced with feelings he never thought he had is touching
for being genuine. Lesser writers might have made
a hash of this experience, the temptation to overwrite
is strong. Murari’s style is at once concise
and poignant.
“The story is simple enough. An abandoned child,
later named Bhima, is taken from an orphanage for
a rare surgery for which Murari’s wife Maureen
raises the funds. The surgery is successful, but rather
than send the boy back to the orphanage. The Murari’s
decide to let him recoup Hl their Chennai home. Bhima
is not the first 'house guest' (as Murari refers to
him initially). But he is special for some reason,
and the manner in which the little one shines a torch
on Timeri's soul and light up emotions hiding there
is the essence of the book. "He is your temporary
son," says one of their friends and it is then'
hat Timeri’s unspoken wish is first articulated.
“Even for Maureen who is in touch with deep emotions
within herself the change brought about by Bhima is
startling. 'Parenthood' for the year that Bhima is
with them brings with it all the doubts and certainties
that first-time parents less than half their age live
with. The Muraris cannot adopt Bhima because of the
age difference (the law states that the parents cannot
be more than 45 years older than the child).
“The story is
as much Bhima's as it is the author's. Both while
showering the child with
love as well as when holding back in the cause of
a greater love, the Muraris show themselves to be
a rare mix of the romantic and the practical. They
know that Bhima will soon have to leave, and that
his adoptive parents from Europe are only waiting
for the paper work to be cleared. So right from the
start, Bhima is trained to call the Muraris 'aunty'
and 'uncle' so there is no confusion with the 'papa'
and 'mamma' to come. Love is as much about giving
as about holding back. Closure is important, but it
is not easy.
“Certainly not after the kind of impact the child
makes on their lives. As Murari writes, "I hate
being interrupted while I am working. I try never
to answer the phone and I ignore the doorbell. At
one time I would have snapped and snarled at anybody
who disturbed me. Now Bhima was teaching me things
that work, no matter how important cannot take precedence
over a child's demands and needs. I was acquiring
a new skill - that of being a. father. I was not used
to it, to constant repetition and to just as constantly
admiring him as he practiced new skills time and again
and again. But I realized that every moment I spent
with Bhima is what Americans called 'quality time'
his confidence grew as he pushed at the boundaries
of love surrounding him."
“We speak often about the loss of innocence that
comes with age. Children help us reconnect with our
lost selves. But here was a successful writer regaining
innocence. The thought that such a thing is possible
is charming in itself; the idea that age is no bar
There are too lovely vignettes of Chennai, of the
memories that Timeri has carried with him of his own
childhood: of the work done by Maureen and others
like her who do good by stealth. But it is the sheer
intensity of ultimately hopeless unconditional love
that keeps a simple story from flagging or moving
into areas that are of no relevance
Murari has long talks with his temporary son, explaining
everything around him,
“It does not matter that the child does not understand;
the exercise is new to the temporary father, and he
begins to understand himself and his childhood better
is doubly comforting.
“"In this long belated 'fatherhood'," writes
Murari, "I wanted Bhima to experience
everything I had as a child growing up in Madras,
in this house. I wanted to recreate
my childhood through him, as all fathers do, I assumed.
It was important for him to remember something more
about India, than the four walls of the orphanage
that had contained him for so long.”
“The irony is that while the 'father' was doing everything
in his power to erase from the child's mind the bad
memories and replace them with good ones and thus
prepare him for a life beyond the orphanage and Chennai,
he himself was finding it increasingly difficult to
distance himself from the 'son' although he knew that
would be necessary. In the end all ironies and contradictions
dissolve in the ocean of love. Timeri Murari has written
about a dozen - works of fiction including the recently
reissued Taj, about half a dozen plays and a couple
of films. His writings have been marked by a detachment
and attention to detail that only the finest practitioners
of the craft can bring to their work. In taking the
road from a professional detachment to an increasingly
inevitable attachment he brings to the surface in
this book an aspect of autobiographical writing that
is both personal and universal
“At the end of
it, the author who has lived most of his life abroad
is told that this is India and that with some sensible
bribery could have adopted Bhima ‘legally’.
The reader is left to wonder what might have been…SAHARA
TIME.
Anyone with a child in their life, anyone who has
ever longed for a child and anyone, but anyone, who
has ever been at the receiving end of a child’s
love will find something in this book. For even the
most cynical will not be moved by Timeri Murari’s
true account of caring for an orphaned and disabled
child. Murari’s life took on a new meaning when
baby Bhima entered his life. At first it was a nameless
pair of deeply troubled eyes, a two-dimensional image
from a photograph that was taken in the orphanage
to which his parents, also nameless, had surrendered
the child. A child who left a profound impression
in the precious 11 months during which Murari became
his father
“My Temporary Son is a thoroughly honest, self-scrutinizing
and, in places, brutal narrative. It documents young
Bhima’s entrance into a hard world, and the
inordinate medical procedures he undergoes, all the
while following the author’s growing emotional
attachment to his ‘son’.
“Murari’s great skill lies in the way he encapsulates
his love for baby Bhima, not by wild, gut-wrenching
emotive adjectives, but by a pensive and almost introspective
examination of his emotions, creating g an altogether
different but equally painful type of tragedy.
“The author does not paint himself or his country
as perfect. Indeed, it illustrates the wretched bureaucracy
that that forms the basis of the adoptive process
in India as both a curse and a blessing. The circumstances
which led Bhima into the arms of Murari and his wife
were far from easy and the author provided no palliative
in his portrayal of events.
“The book delights
and saddens in turn. Murari and his wife provide a
firm presence as the baby Bhima suffers and triumphs;
there is pain in his surgery, his recovery, his first
smile. His joy in discovering rain. This is a tremendously
powerful book, and tragic, too, in its way. INDIAN
EXPRESS
Believe me, I
don’t feel ashamed to accept that I cried when
I was reading the last paragraphs of the chapter ‘The
Final Goodbye’ in Timeri N Murari’s non
fiction ‘My Temporary Son’. The fact is
that it is long since I was absolutely moved by a
book; the books have been interesting, irresistible
and engaging. But this was one book, which does not
belong to any of the above category but still made
me read.
“‘My Temporary Son’ is a real life narration
of an aged couple Tim and Maureen whose life suddenly
takes a change with the temporary entry of an abnormally
sick, fragile orphan kid who had to undergo series
of serious surgeries for surviving. Anachronously,
the boy is named Bhima. The baby boy was born with
his bladder outside the abdomen and abandoned by its
natural parents in an orphanage.
“Tim’s wife Maureen is a social worker who
helps foreigners in adoption and its systems. So it
was not uncommon for the couple to provide transit
accommodation for the kids in their ancestral palatial
home at Chennai. Bhima’s entry is no different
but a little longer because of these medical interferences.
Tim who is generally indifferent to such short diversions
was totally drawn into the vortex of love and affection
towards Bhima by a chain of incidents. The childless
ageing couple suddenly realizes that their love for
this boy was overwhelming because of this baby’s
pranks and quiet resilience to live notwithstanding
the oddities of fate during his stay in their home
for the period of eleven months. When the time comes
for them to part with Bhima, there was a cauldron
of emotions. How Tim and Maureen overcome because
of their intense love for the kid forms the end of
this non fiction.
“‘My Temporary Son’ is in one way a linear
narrative with tangential paths. The book is not something,
which one could complete just in one sitting. Murari’s
writing is just reliving of his whole period of life
from the birth of Bhima, the discard, entry, enjoyment
of his growth and exit. He takes us with him in his
journey with episodes strewn in between both relevant
and irrelevant. They include Murari’s childhood,
growing, preferences, love affairs, likes and dislikes,
opinions, his family members, feuds, friendship, happiness,
frustrations and what not.
“The book also describes the most convoluted procedure
of adoption and the exasperating rules and regulations
prevailing in India. It projects the shocking state
of the orphaned children in our country, apathy of
the officials, indifference of the public, concern
on the ever enlarging population, above all the deplorable
conditions of living in India irrespective of one’s
financial background. The book may be a useful guide
for those who want to adopt a kid from India (will
anyone after reading this book?) with the model legal
documents and procedures as Appendices.
“Timeri Murari’s language alternates between
simple and complex. This is probably because of its
spontaneity. The emotions are brutally honest and
painfully straightforward. The characters Tim, Maureen,
Bhima, Sarala, Shaila, the lovable adopting couple
Bettina and Karl and their family communicate and
interact with the reader in flesh and blood through
the pages of the book. One cannot but empathize them
very honestly.
“Tim writes ‘… that love had more substance
and sustenance than food and drink; it was the buoy
that had kept them afloat in the freezing waters of
old age’.
“I am sure after
reading the book one will agree that this statement
holds good at any age of a true human. BOLOJI.COM
Author, journalist,
playwright and filmmaker Timeri N. Murari has played
a lot of roles in life. But perhaps one that he did
not bargain for was the cause of a lot of heartache.
In a cathartic way, resulting in his latest book,
My Temporary Son,
as much about adoption as about learning to be a father.
“Chennai-based Murari and his wife Maureen have assisted
in a number of adoptions over the years from the city,
while remaining childless themselves. And before going
to their adoptive homes, many of these kids have also
stayed in their home for a while. So when Bhima came
along, Murari had no idea that things would be different
this time.
“Bhima, born to a rural family in Pondicherry, had
vesical exstrophy, or was born with his bladder outside
the body. Abandoned by his parents, he was in an orphanage
when Maureen spotted him and began the process to
get him operated to relive him of his constant misery.
And after the operation, she brought him home to recuperate
before he went to his adoptive home.
“And it was while he was staying there that Bhima
made such a place in Murari’s heart that he
was tempted to adopt Bhima himself. Except for that
he was 60 years older than Bhima, and adoption would
create many complications, both for him and for Bhima
in future. But that is what the head said.
“The heart was on a different track. “I had
to confront myself,” says Murari. “A child
changes your life, I learnt about being a father,
it was almost slammed into me. Bhima, had ‘special’
needs in one respect, but was extremely intelligent,”
he reminisces, eyes looking somewhere into the past.
“Bhima brought home the meaning of the word,
‘the child is the father of the man’.
For at one level I was learning to be a father. I
was literally learning.”
“And there were many aspects that became clearer
to the author, the father, the individual. Children
are low priority in an adult controlled world. Adoption
in India is an extremely strenuous process, and despite
people wanting to adopt from India, many do not do
as bureaucratic hurdles are too long.
“Bhima was adopted by a couple from a European country,
by which time he was already two years old. When they
adopted their second child, they did so from South
Africa, and despite having to furnish similar documents
and guarantees, they completed the process in three
months. “There is an urgent need to speed up
the process of adoption in India,” says Murari.
By the time the formalities are completed, the child
has already undergone much pain and neglect, and has
become institutionalised. He has had no relationship,
and this has a profound impact. “About 150-200
children are adopted from India, mostly children with
special needs. Indians prefer to adopt health children,
as a special-needs child comes along with additional
medical burdens. However, many prefer adopting from
countries like Korea, or those in Latin America as
the process is much faster,” he laments.
“Bhima has found a home, and has the luxury of having
adoptive parents who love him, and people like Murari
who desperately wanted to make him a permanent part
of their lives.
“Most orphans
have to contend with the opposite conditions, something
Murari has poignantly, transparently captured in My
Temporary Son, which you will find difficult
to read without a lump developing in your throat.
BUSINESS TIMES
If you are the
one to cry with an author as you read his book, this
one is definitely recommended. A heart rendering tale
of how the author became a father for the first time
at 60 when an orphan gate crashed into his life and
changed it forever.
“A contented elderly man, Tim's life transformed
when a thin and sickly child Bhima entered his home
thanks to his wife Maureen. Since his wife is involved
in social work, he dismisses this new entry as a temporary
arrangement. But the truth is far from it. Bhima demands
attention and the author learns to be a father and
enjoys it. As you start enjoying their relationship,
the truth jolts you as you come to know that the author
and his wife cannot adopt Bhima's as they are too
old. He is given up for adoption and meeting the adoptive
parents is anything but painful. The gradual handover
of Bhima and his adjustment to his new parents is
heartbreaking and you identify with the author's pain.
Not only is it an inspiring book that makes you believe
in selfless service, it is also a great way to understand
the complicated adoption process in India. The eyes
on the cover page of the book tell a tale of its own
and the author takes you along on his journey of suddenly
discovering fatherhood and losing it immediately too.
“The author uses
simple yet effective words to convey the emotional
turmoil that he and his wife undergo in eleven months.
His faith and belief in Bhima and his feeling of incompetence
when he doesn't understand how to handle a child seems
to be true for every new father. The end of the book
is particularly heart wrenching. The impossibility
of the situation frustrates you and the author and
his wife's commitment to Bhima's welfare is baffling.
He ends the book saying 'Bhima was meant to have an
enchanted life and for us, it was a closure of sorts.
We knew there would never be total closure, not until
we die, or love does.' Words that speak beyond their
meaning. AFTERNOON, Bombay.
Not everyone has
it in him to adopt a child and treat the child as
one would one’s own. But people capable of such
love do exist and make up for a miniscule fraction
of the world. Timeri Murari’s personal experiences
bring these peripheral people in focus.
“Up until such time that Bhima, an abandoned baby
with vesical extrophy (a state when the bladder is
outside the body) came into Tim’s life, his
world was systematic with little room for deep emotions.
Tim has been a journalist with the Guardian and has
written novels, screenplays and stage plays. His film,
The Square Circle, made it to Time’s list of
10 best films. With so much happening in his life,
Tim could not have been bothered by his wife’s
efforts to bring home Bhima for better care after
a corrective surgery.
“Tim wasn’t new to having babies in his huge
ancestral Madras home as his wife, associated with
the Overseas Women’s Club, would often get orphanage
babies, signed up for adoption, to their house before
they would leave for their respective homes abroad.
“In Bhima’s case, it turned out to be a bonding
he wasn’t quite ready for. Tim says: "I
was a contented elderly man, not looking to be immersed
in any emotional cauldrons...and then, unexpectedly,
Bhima came along, skewing all my calculations."
“Used to constant pain and alien to a tender touch,
Bhima gradually learns to love and trust Tim and Maureen.
His sparing but gentle kisses change Tim who, perhaps
for the first time in his life, regrets being at the
wrong side of 60. His longing to adopt Bhima leaves
him restless and in the 11 months that the little
boy is with them, Tim fears his home and life would
never be the same. Bhima’s impending adoption
by a European couple looms large and with it grows
his desperation to keep his “temporary son”.
“Childless himself, Tim bares his heart and one knows
why he chose to write this novel— to let his
feelings flow unhindered; they needed expression.
Tim reaches the pinnacle of pain on his parting with
Bhima. How he tries to adapt to the vacuum and his
subsequent visit to Bhima’s new home makes up
for the latter part of the book.
“That it is an
exceptional and an emotional book goes without saying,
but what it does to you is worse. It leaves you with
a feeling of being an inferior human. There are people,
including foreigners, who eagerly adopt babies with
deformities or those with special needs and give them
utmost love and a comfortable home. Our own insufficiencies
show up sharper in contrast. TRIBUNE.
LETTERS
Dear Mr. Murari,
i would like to thank you so much for writing my
temporary son, for me it is the best book i have ever
read
i am Austrian and i have bought a copy in Sri Lanka
on my holiday there,
at the moment i am living in Abu Dhabi and i am looking
forward to buy more of your work when i am going to
London next month to visit my (real) son.
Thank you!
Best regards
Marie Vrba
P. S. I admire your wife Maureen for what she is
doing
Hello,
Just wanted to commend you on your beautiful book
"My Temporary Son", I am on pg.153 and am
enjoying every word of it. Not only is the story of
Bhima so heartwarming, but I also find I am enjoying
reading about Madras, a city I had the good fortune
to live in, in the early '90's.
I'm very glad I came across your book, I am going
to pass the word around,
Regards,
Angelique of Lotus Reads
Hey Tim
I cant stop to be amazed with your book 'My Temporary
Son.' There are no words to express how i feel yet
i will try. Like everyone else I would appreciate
your commendable act of looking after Bhima because
i know it isnt easy. and i understand the attachment
you feel for him.
I am in touch with a home in Asangaon in Mumbai wherein
children with AIDS are nursed. One such baby there
was eight month old Joy who was found on the railway
tracks when he was just three months old. He was brought
to the home and was named Joy because he had an enchanting
smile. When i met him I could not believe someone
would actually desert him. He tested positive for
HIV but was so cheerful and unaware of his condition.
I heard later that he had passed away in the company
of all the staff and other children. I cannot forget
his smile. God bless him. Bhima reminded me of Joy
and I am glad that Bhima found you.
Kudos to Maureen who is so compassionate and loving.
I would really want to meet the both of you if and
when you come to Mumbai. I am a Reporter with the
Afternoon newspaper in Mumbai and generally review
books because i love reading them. My Temporary Son
moved me to tears and I am glad you wrote it.
Take very good care of yourselves and keep writing!
Lots of warm regards
Tina Aranha
sir
I have read your books. first I read a book on Taj
and I liked it very
much. your style is really heart touching. I like
the character of Murty and
silently suffering of Issa.
another book "My temporary son" brought
tears to my eyes. how minutely you
have observed the toddler's behaviour. the backbone
of this book is Maureen
who gave this lucky or unlucky child so much tender
and abandunce love.
is it a true story? the description of Chennai and
Pondechari is really
interesting to a person like me who is not a chennaite.
my daughter stays in
thiruvanmiyur very close to cheshire home. I have
come to visit her and
spend time with my two little grandchildren. i am
going back to Mhow near
Indore in MP where we have settled down. my husband
has retired from the
army. he is also very fond of reading. we would love
to meet you and
Maureen in a very close future. please let us know.
looking forward to read some more books written by
you.
Prabha Joshi
Dear Tim
Thank you so much for sparing us a precious copy
of the book, and also for the inscription ( which
I hadn't seen when you handed it over!) I read the
book from cover to cover when I was in Wales, and
it was an immensely rewarding experience. Being able
to use the wonderful photograph you gave us of you
and Maureen with Anhil as a bookmark brought a unique
and special addition to the experience. I had not
realised the degree of autobiography - and I must
say you have chosen an extraordinarily vivid context
for your thoughts, reminiscences about your life before
and with Maureen, and comments and insights into the
bewilderments of India.
You and Maureen have poured so much compassion and
love into the special kind of adoption you have been
undertaking over the past years. I do hope that your
extended family network will remain strong and supportive
in the years to come. It's the very least you deserve.
Everything you tell me about your'children' will take
on a new significance and dimension now that I have
read the book. I hope it does get published outside
India, but whether it does or doesn't I for one am
very glad you wrote it, and I hope you and Maureen
are too.
Michael Houldey
Hi Tim
Just a note to say Thank you for a copy of your book,
especially that it was signed.
I read it from cover to cover and actually finished
it a while ago. I could not put it down. You have
had me crying and laughing out loud on the tube to
and from work. Not sure what the other passengers
thought!
It was fantastic, moving and so well written. I am
just sorry I havn't thanked you earlier. We have had
a busy few weeks as Rich had a major University assignment
to hand in. Thankfully it is finished now! Now we
can get on and concentrate on the wedding.
Thank you so much again. Rich is reading it next,
now he has a break from University books.
Love
Georgina (Herridge)
Dear Mr. Murari,
I read My Temporary Son: An Orphan's Journey and found
it's later pages gut
wrenching, heart rendering and physically discombobulating
as I acutely felt
that partings aren't always such sweet sorrow. Thank
you for writing this
book and sharing your experiences.
I came upon the book by accident in mall's bookstore
early this month in
Bombay where I grew up, but have lived in the NYC
area for over 28 years. I
bought it since I'd attended an Indian adopted child's
baby shower in NYC.
Very recently I've been the language interpreter during
it's speech therapy
evaluation for early intervention.
Ravi Bhasin
Dear Timeri Murari,
After eagerly anticipating your book since pre-publication,
my cousin finally brought it back from India and I
finished reading it in one go. I just wanted to tell
you how much I enjoyed your book. I was born in the
U.S. but my parents are from Madras, so I enjoyed
learning more about my India. Also, I have adopted
two daughters from Pune. I have little information
about their beginnings, and your book helped me imagine
how much they were also loved by those who cared for
them. Bhima/Anhil is so lucky to have so much of his
past preserved in you and your wife. Thank you for
writing such a beautiful book.
Sincerely,
Usha Rengachary
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Dear Mr.Murari,
Just completed reading your book,"My
Temporary Son"-- one of the most moving books,
capturing in print those fine and elusive feelings
so
palpably.As a person who has lost a beloved pet just
4
months ago and who has had an almost similar
experience as yours with Bima, several years ago,
I
could empathise with your book. Several Years ago,
my
brother and sister-in -law sent their 6 week old son
to India from the US as they were finding it difficult
to bring up a baby along with all their commitments.
My parents and I (aged 16then) brought him up with
the
greatest love and affection. But all the time we knew
that one day he would go away--which he did when his
Parents sent for him just a few days before his 2nd
birthday. The pain that we experienced at the very
same Madras airport was very similar to your own in
the book. Now I'm almost 50 and my nephew, whom i've
not seen since the last 15 years is almost 34 years
old. The tragedy is that he does not remember us at
all.
These experiences of mine I thought were
obliterated from my mind for good until your book
reopened them...that is great literature I
guess...hence this mail...just to let you know that
i
enjoyed your book.
with regards,
Padmaja Ashok